اختصاصی هنر و معماری آبگینه : به تازگی اسامی پروژه های راه یافته به مرحله نیمه نهایی جوایز برگزیده مردم (People’s Choice Awards) جایزه لوپ دیزاین سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) بر روی وبسایت این مسابقه منتشر شده است! در میان راه یافتگان به این بخش، معماران و طراحانی نیز از کشور ایران به چشم می خورد. در بخش معماری (Architecture) جوایز برگزیده مردم (People’s Choice Awards) جایزه لوپ دیزاین سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) 8 پروژه از ایران، در بخش طراحی داخلی (Interior Design) این رقابت بین المللی ۳ پروژه از ایران، در بخش طراحی منظر (Landscape Design) 1 پروژه و در نهایت در بخش طراحی محصول (Product Design) جوایز برگزیده مردم (People’s Choice Awards) جایزه لوپ دیزاین سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) نیز ۶ پروژه از کشور ایران حضور دارد.
جایزه لوپ دیزاین به عنوان یکی از معتبرترین و شناخته شده ترین جوایز بین المللی در بخش معماری (Architecture)، طراحی داخلی (Interior Design)، طراحی منظر (Landscape Design)، طراحی محصول (Product Design) و همچنین عکاسی معماری (Architecture Photography) در ۶۰ دسته گوناگون شناخته می شود. جایزه بین المللی لوپ دیزاین که در شهر پورتوی کشور پرتغال برگزار می شود، به بیان برگزارکنندگان خود، بستری ایده آل و امن برای بیان خلاقیت و استعدادها است. بستری که شرکت کنندگان از سراسر نقاط جهان می توانند آثار خود را برای این رویداد ارسال کنند و فرصت دیده شدن گسترده را کسب نمایند. جایزه لوپ دیزاین (LOOP Design Awards) بر این باور است که می توان با کمک معماری و طراحی داخلی، زندگی مردم در سراسر نقاط جهان را ارتقا بخشید.
اما معماران راه یافته به مرحله نیمه نهایی در بخش معماری (Architecture) جوایز برگزیده مردم (People’s Choice Awards) جایزه لوپ دیزاین سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) عبارتند از:
LOOP Design Awards 2021
People’s Choice Award – Architecture
Architecture | Concept & Unbuilt
Damavand, Iran
STUDIO NAME: AAD Architecture Office
LEAD DESIGNER: Hossein Hassani , Amin Habibi
DESIGN TEAM: Pooria Mirzaee , Mahsa Yadegari , Fatemeh Azimi , Nazanin esmael Nazari
PHOTOGRAPHY CREDITS: Pooria Mirzaee
The aim of this villa was to provide tranquility and welfare of mother so we decided to name it, a villa for mother. When we entered this project, it was on its construction process. The initial structure of the villa had many problems and it wasn’t following any concept. While we visited the location of this villa which was in Damavand, Jasmin alley, we got inspired by all the jasmine flowers that surrounded the streets and alleys around our site. So we decided to create several protrusions in our southern façade which made us to add some parts to the previous structure. By orienting this building (like the petals of jasmine flowers) towards the front view of this building, we tried to percent this building as a living creature which is moving and growing on its own.
Damavand, Iran
STUDIO NAME: AAD Architecture Office
LEAD DESIGNER: Hossein Hassani , Amin Habibi
DESIGN TEAM: Pooria Mirzaee , Mahsa Yadegari , Fatemeh Azimi , Nazanin esmael Nazari, Mohammad Nasir bajolzade
PHOTOGRAPHY CREDITS: Pooria Mirzaee
This villa is located in the fields of Mara, Damavand, where the location is surrounded by a river on one side and a mountain on the other side. In our initial site visit, the calming environment which was a symbol of living and circulation, inspired us to create a form which is compatible with nature and reflects its virtual power as well Inspired by the idea of connecting river and mountain, we tried to find a regularity in the irregular waves of the river to form the initial walls of this building. All these walls extruded to the roof and connected to each other to shape 4 peaks (chartigh) and the reason behind that was the fact that Damavand is the highest peak in Iran and Middle east and we wanted to display a symbol of this mountain in our building. In addition to respecting nature, we tried to meet all the needs of the client. This villa consists of four floors with an area of approximately 300 square meters of infrastructure. The basement has direct access from the main entrance with stairs to the celebration hall which overlooks the backyard and river. This floor has spaces such as gym, installation and caretaker. The ground floor has direct access to the main entrance from the street and includes spaces such as salon, kitchen and parking. All the private spaces such as bedrooms, bathrooms, laundry room and living room are placed on the first floor and they enjoy the fascinating view of the backyard and river. On the last floor, there are spaces like a swimming pool, jacuzzi, sauna and locker room. Special characteristic of the swimming pool is the 5.5-meter console which emerges from the heart of one of these peaks like a river, to once again reflect the fact that chartigh villa is a villa that came from nature and wants to be a part of that.
Kish Island, Iran
STUDIO NAME: Peyman Kiani Architects
LEAD DESIGNER: Peyman Kiani Falavarjani
DESIGN TEAM: Nima Bavardi, Parisa Biriya
PHOTOGRAPHY CREDITS: Mohammad Ali Rezaeiyan
The idea of Lotus Amphitheater emerged from the architectural figure of the Safavid era, the most significant artistic period in Iran. During this period, a dome-shaped space was held for Eid ceremonies, Shahnameh readings, and musical performances, and people gathered in those places. This amphitheater has been created to keep the art and culture of ancient Iran alive. The exterior side is inspired by a lotus that was used in many designs of the Achaemenid period. The wall patterns and light panels are decorated with 5o7 of Safavid architecture with Seat arrangement on different levels have created an artistic atmosphere inside the hall. The exterior, along with the view of the handmade tiles of the Safavid period and glasses with a combination of linear LEDs and spotlights, which has created beautiful reflections on the water. Having all images feeling of location identity in one unique shape as a hierarchy and family form came together in one united emotional and functional base.
Royal Residential Complex (Balconies Home)
Mehrshahr, Karaj, Iran
STUDIO NAME: Saffar Studio
LEAD DESIGNER: Ahmad Saffar
DESIGN TEAM: Marzieh Estedadi, Navid Shokravi, Alireza Amini
PHOTOGRAPHY CREDITS: Saffar Studio
The project tries to introduce its identity by playing volumes in order to respond to the performance and aesthetics at the same time. Due to the lack of semi-open space in apartment living in the city, performance and form in the praise of open space has sought to create opportunities. The negative atmosphere created the identity of the project and tried to dialogue and announce its presence with the wall of the city and human space. The project will try to meet the psychological needs of users in Iran by creating a green yard and roof and using enough space to create large and green terraces, which is of special importance for today’s human beings in this country. The gap in the eastern wall along the entrance tries to make it readable and inviting. By playing volumes under the light and creating negative depth and space, the project has tried to respond to transparency, the use of open air, privacy and the culture of the environment at the same time.
Alborz, Karaj, Iran
STUDIO NAME: Saffar Studio
LEAD DESIGNER: Ahmad Saffar
DESIGN TEAM: Elaheh Azarakhsh, Niloufar Mahdiloo, Faeze Mohabatpour
PHOTOGRAPHY CREDITS: Saffar Studio
The appearance of small-scale architectural projects on land with low proportions becomes an attractive challenge, creates a different visual view with other buildings in the city, which leads to a unique feeling in the environment and the surrounding area. The main design challenge in the Sepidar house project has started with the confrontation of proportions and its small scale in relation to the adjacent uses. An attempt according to the regionalist approach, while respecting the site and being an indicator in the urban landscape, a design with privacy respect, emerged in architectural residential spaces. The design process, using the general form of the site, along its axis created a geometry with rectangular proportions that the presence of negative spaces in the main walls of the project, to increase the quality and level of visual vision in the building volume and it leads to a dialogue between the architecture of the building and the city. Also, in the design of each floor and spaces of the building, multiple and separate terraces have been considered to interact with the surrounding environment. Greenness in poplar is created by the presence of green walls on the roof and yard. The way of locating of negative spaces control the view of building, it will create mental peace and create a sense of security in the spaces. Utilizing of glass in the design as a transparent element along with stripping materials is cost-effective and it is associated with openness in architecture and a factor in creating dynamism in the city.
Damavand, Iran
STUDIO NAME: AAD Architecture Office
LEAD DESIGNER: Hossein Hassani, Amin Habibi
DESIGN TEAM: Pooria Mirzaee- Fatemeh Azimi- Mahsa Yadegari- Nazanin esmael Nazari
PHOTOGRAPHY CREDITS: Pooria Mirzaee
Two arches villa is located in a calming environment in Damavand, Iran. The design process of this villa tries to reflect the origins of Iranian architecture from a modern point of view. Inspired by Iranian gardens, we positioned a waterway as a main axis of the site. All the principles and spatial hierarchy are considered in the design of the plan of this building to provide privacy and comfort of its inhabitants. As well as that, we used a white plane as a form between two arches as a divider of public and private spaces. In order to make a connection between these areas in first floor, we used a bridge as a corridor. By positioning all the windows toward the main courtyard and the street, we tried to reflect the concept of extroversion and introversion of Iranian architecture in this building. In terms of material, bricks are used as the finishing of the exterior and interior.
Architecture | Industrial Buildings
Karaj, Iran
STUDIO NAME: Davood Boroojeni Office
LEAD DESIGNER: Davood Boroojeni
DESIGN TEAM: Saba Ammari, Hamed Kalateh
PHOTOGRAPHY CREDITS: Parham Taghioff
The project proposal is related to a factory for the production of polymeric materials. The factory has a production, office and research department. The project land is approximately square like (60 meters long and 50 meters wide) is limited to the neighbor in the north and west and to the street in the south and east. This land with an area of three thousand square meters is located in a small industrial town in Alborz province of Iran. The lack of architectural separation for different work activities in Iranian factories is the major reason for the low quality of living spaces for such functions. As a factory has multiple work spaces and houses a range of staff from laborer to lab specialists, the architectural quality of connecting spaces which also plays the role of separating different activity areas is of crucial importance. However, majority of industrial buildings in Iran have integrated structure and the only dividing area for different functions are interior walls. This project seeks to solve this problem by increasing sense of connecting spaces to improve the quality of life of factory workers. The concept of this complex took place in two outdoor void spaces perpendicular to each other. One void stretches south to north and the other empty space stretches east to west. The geometry of these void spaces makes separation of different parts possible and acts as a middle courtyard for connecting different areas with each other. Human dimensions, open air, light and shadow, green space and color increase the sense of middle courtyard. Different sections with glass walls or windows overlook the middle courtyard and improve its psychological security. In choosing construction materials, their purity has been considered. Floors are made of concrete and steel, walls are made of prefabricated concrete blocks, glass and prefabricated concrete panels, and stairs are made of cast in place concrete without any other materials. Things such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project’s design. We believe that the beautiful, innovative, and beneficial architecture of the project is the result of using the above mentioned simultaneously. The most important challenge in designing industrial uses, given the wide range of their employees from simple workers to laboratory specialists, is the proper separation of different work spaces and implementing hierarchical access. Our studies have shown that lack of proper placement in different uses relative to each other has reduced significantly the efficiency of production, and requires more energy and manpower to compensate for it. For this purpose, instead of a wall, we used space to separate different parts. The middle courtyard’s prediction helped to separate various parts of the factory properly, including the administrative, the laboratory and the production areas. Other challenge was the possibility of leaving this middle courtyard abandoned. To meet this challenge, we increased the spatial quality of the middle courtyard by observing human dimensions, considering open air for it, predicting the light and shadow play, green space and color. In Iran, there have been specific patterns for organizing building plans from the past. The middle courtyard and the cruciform axes are two important patterns in Iranian architecture. These two patterns are still used today in design of buildings with residential, administrative, multi-purpose, parks, etc., but their traces are disappeared in today’s industrial architecture of Iran. There are documents indicated that these two patterns were used about 400 years ago and in the historical era of Safavid in the industrial uses’ design. The factories of that eras, called BIOTAT, had two axes perpendicular to each other and have a courtyard in the middle. It is believed that the prediction of these two patterns in the architectural design of this project is an attempt to revitalize these two Iranian architectural methods in industrial uses. The context of design has consisted of cold winters with strong western winds and hot summers. For reducing energy consumption, we have used materials with low heat transfer coefficient for the walls. The chosen color for the outer shells was white with the aim of minimizing absorption of solar radiation in summer. Spaces such as warehouses are located on the western wall and act as heat filters in summer and winter. Our other solution for this purpose is the green roof of the administrative part of the factory. One of our primary goals of design was to expose materials. We believe that the uses of exposed materials not only creates an industrial feel in the spaces, also makes less harm to the environment.
Architecture | Residential & Houses
Tehran, Iran
STUDIO NAME: Kalbod studio
LEAD DESIGNER: Mohamad Rahimizadeh
DESIGN TEAM: Shaghayegh Nemati- Nasrin Eghtesadi – Mohamad Ramezankhani-Atefe Ramezankhani-Zahra Boron
PHOTOGRAPHY CREDITS: Mohamad Rahimizadeh
The Qeytariyeh project has been built on 7 floors of 6 units in the northern part of Tehran. In this project, the scenario that is intended for the access of the units is such that each unit has separate access and the privacy of each family is preserved. Also the crowds and noise of other units do not disturb the other units. Also, public spaces such as lobby, conference hall, meeting hall, cinema, cafe and gym are designed to improve and enhance the quality of life in a residential apartment where everyday life is evident. In the process of façade design, because the structure of the building was built, we faced limitations such as the existence of shear walls in the facade. Despite all the challenges, an attempt has been made to present a design that is most in harmony with its context and using the least materials. By multiplying a single module throughout the surface, we arrive at a regular structure and network that is at the same time rhythmic and balanced. This rhythm and balance is considered by seeing the material of the modules differently By releasing a single module throughout the surface, we achieve a regular structure and grid that is rhythmic and balanced at the same time. This rhythm and balance is considered by seeing the material of the modules differently.
همچنین معماران و طراحان راه یافته به مرحله نیمه نهایی در بخش طراحی داخلی (Interior Design) جوایز برگزیده مردم (People’s Choice Awards) جایزه لوپ دیزاین سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) نیز عبارتند از:
People’s Choice Award – Interiors
Interior | Hotels & Resorts
Kish Island, Iran
STUDIO NAME: Peyman Kiani Architects
LEAD DESIGNER: Peyman Kiani Falavarjani
DESIGN TEAM: Parisa Biriya, Nima Bavardi
PHOTOGRAPHY CREDITS: Mohammad Ali Rezaeiyan
According to the form of the floors of the Mercury Hotel, which is designed as a staircase and there is a balcony at the end of each corridor, It has been decided to create a royal suite on each floor with a mini bar and a special balcony for bathing and sunbathing. The source of the idea in this suite for the use of bright colors taken from the coral white soil of the island. Also, the design is based on a tropical and coastal atmosphere that is perfectly in tune with the climate of the island. The suite guests can use the open space and eat their meals anytime they want. The simple and minimal design of this suite, with the Jacuzzi, swings and other facilities has been bringing pleasure to the guests. The area of this space is 160 square meters, which includes 80 meters of suites and 80 meters of balconies.
Yazd, Iran
STUDIO NAME: Peyman Kiani Architects
LEAD DESIGNER: Peyman Kiani Falavarjani
DESIGN TEAM: Nima Bavardi, Parisa Biriya
PHOTOGRAPHY CREDITS: Mohammad Ali Rezaeiyan
The lobby of the four-star Sib-O-Naar Hotel is designed to provide an easy access to the lounge, reception and waiting room, hotel rooms, restaurant, café, lounge, conference room and hotel sports facilities. All the elements used in the lobby are taken from the roots of ancient and classical architecture of Yazd, which are one of the tourist attractions. Water jet pattern in the middle of the lobby, the border stones from the geometry of the windows, the reception counter and the cafe mirrors from the ancient plasters, the ceiling mirror from the louver decorations, the roof bowls of the cafe from the pottery and the main entrance is taken from the classical nodes of Yazd architecture, all of which have been worked in a modern and neo-classical space. This space controls the large temperature difference between inside and outside with a windshield at the inlet. By using all the elements and colors, a pleasant atmosphere has been created for sitting in its lobby and cafe.
Interior | Retail, Shops and Stores
Kish Island, Iran
STUDIO NAME: Peyman Kiani Architects
LEAD DESIGNER: Peyman Kiani Falavarjani
DESIGN TEAM: Nima Bavardi, Parisa Biriya
PHOTOGRAPHY CREDITS: Mohammad Ali Rezaeiyan
Mercury Hotel Bazaar is intended to offer luxurious and handmade Iranian products such as all-silk carpets and jewelry. This part of the hotel is located between the cafe and the hotel lobby, where the hotel guests will pass through this part to reach the cafe and will subconsciously get acquainted with the products that are offered in it. The combination of small waves that reach the calm shore of the island and rest on the sand is the main source of ideas for the wavy bodies of the bazaar. Also, the form of water spots and light reflection in them has been the source of the idea of lighting and ceiling. This space is considered as a flat and after any wave or curve that is created in the glass body of the bazaar, it is possible to enter it so that the passing audience can enter the bazaar whenever they decide. Forming the space and using soft and curved lines doubles the audience’s motivation to cross this section and discover new cases. The area of this place is 422 square meters.
در بخش طراحی منظر (Landscape Design) جوایز برگزیده مردم (People’s Choice Awards) جایزه لوپ دیزاین سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) نیز تنها یک نماینده از ایران به مرحله نیمه نهایی راه یافت که عبارت است از:
People’s Choice Award – Landscape Design
Landscape | Hotel & Resort Landscape
Kish Island, Iran
STUDIO NAME: Peyman Kiani Architects
LEAD DESIGNER: Peyman Kiani Falavarjani
DESIGN TEAM: Nima Bavardi, Parisa Biriya
PHOTOGRAPHY CREDITS: Mohammad Ali Rezaeiyan
The design of the Mercury hotel garden was taken from the world under the sea such as corals and amazing fishes which are the first things that appear in your eyes while your fit touches the Persian gulf water on the beach around Kish Island. The goal is to bring a sense of sea calm into the space of the hotel. At night, the lighting of the coral garden reminds the experience of walking on the beach with the view of bioluminescence coastal creatures that are found in the sea line of the Persian gulf. This hotel has been one of the most important constructions in Kish Island since 2019. The entrance area of the hotel and garden is not only bio-phormic, creative, contemporary and modern, but also make an emotional connection with people by its design. As a result of the first phase research team, the research team decided to make contrasts by using different lightings per side and angles. The hotel passengers will enjoy the sea view with the bioluminescence-like coral garden.
همچنین طراحان راه یافته به مرحله نیمه نهایی در بخش طراحی محصول (Product Design) جوایز برگزیده مردم (People’s Choice Awards) جایزه لوپ دیزاین سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) نیز عبارتند از:
People’s Choice Award – Product Design
Product | Furniture Design
Isfahan, Iran
DESIGNER/STUDIO NAME: Entekhab Design Center
LEAD DESIGNER: Meysam Ghasemi
TEAM MEMBERS: Farid Hatami, Hamed Shafie Naderi
PHOTOGRAPHY CREDITS: Farid Hatami
Arte TV stand is designed as a piece of furniture, using wood as the dominant material to display the television elegantly. Since wood is highly used in most Iranian handicrafts and artworks, it allows the user to design the back of this TV stand by various types of local art. The back of the stand has a sliding mat cover that hides devices and cables behind the television, creating a neat, uncluttered look. It also helps the air circulation, letting the board stay cool. Considering flat and broken-plan design trends are increasing, Arte TV stand can be placed anywhere in the house to create various distinctive areas.
Product | Kitchen & Household Design
Isfahan, Iran
DESIGNER/STUDIO NAME: Entekhab Design Center
LEAD DESIGNER: Meysam Ghasemi
TEAM MEMBERS: Meysam Dehghani
PHOTOGRAPHY CREDITS: Meysam Dehghani
The Surface remote controls were carefully attuned to the new flat style and combine functional simplicity with high comfort. Standard and Smart are considered two versions of the Surface remote control. The buttons lie comfortably under the hand’s fingertips, as they are arranged ergonomically on the remote controls. It has been aimed to achieve simplicity through the integrated surface and coherent arrangement of buttons.
Product | Concept Product Design
Isfahan, Iran
DESIGNER/STUDIO NAME: Entekhab Design Center
LEAD DESIGNER: Meysam Ghasemi
TEAM MEMBERS: Molood Sadat Tavakoli
PHOTOGRAPHY CREDITS: Molood Sadat Tavakoli
Abgin tea maker owns its elegance to the harmony of its minimal form and details. Stand, kettle, and pot are three main parts of this product, integrated perfectly. Using ceramic as a sustainable and local material provides a unique experience for the users. Moreover, handles are changeable to wood, metal, or ceramic based on the user’s choice. This tea maker offers an uncomplicated and user-friendly method of making tea via a touch button. Once the water reaches the ideal temperature (50-100 degrees), each number on display lights up and notifies the user. Additionally, the steam system automatically will keep the water warm until it turns off again. Thanks to the line pattern on the stand, the kettle can be positioned firmly on it.
Tehran, Iran
DESIGNER/STUDIO NAME: Mohammad Amin Abbaszadeh
LEAD DESIGNER: Mohammad Amin Abbaszadeh
TEAM MEMBERS: Sanaz Aflaki
PHOTOGRAPHY CREDITS: Mohammad Amin Abbaszadeh
Choppoq Is sustainable and high performance air purifier. Inspired by Persian wind catchers. In designing Chppoq, efforts have been made to pay attention to the needs of people in a modern society, both in terms of efficiency and aesthetics. In addition to the need for fresh and virus-free air. Choppoq can also be used as a home decorative object. This product with its small size and low selling cost can reduce the cost of home air purifiers to help the air quality used by people in indoor environments such as homes and companies. This product reduces the possibility of respiratory diseases and increases the Life expectancy index. Various cases were study to evaluate the most suitable method of air purification along with reducing production costs, and finally a combination of UV light sterilization method and the use of active carbon filters was used. These methods have been tested in the past and have worked well in detecting viruses. Also, the production cost of these parts is low and controls the cost of the product. Due to the simple method of air purification, low power consumption and washable filters, this air purifier reduces the cost of home air purification and improves the living environment for people in developing countries, increases the quality of life and helps prevent the increase of respiratory diseases.
Isfahan, Iran
DESIGNER/STUDIO NAME: Entekhab Design Center
LEAD DESIGNER: Meysam Ghasemi
TEAM MEMBERS: Mohammad Hossein Chitsazzadeh, Maryam Alsadat Mirian, Golnoosh Zamani
PHOTOGRAPHY CREDITS: Molood Sadat Tavakoli
This built-in oven is characterized by minimal design to create an extremely versatile and functional product. The clear aesthetics and transparent knobs enable an instant and intuitive user experience. The knobs and handle are designed in a way that they blend harmoniously into the front. The elegant impression of this oven is achieved by integrated front design and the use of high-quality materials.
Isfahan, Iran
DESIGNER/STUDIO NAME: Entekhab Design Center
LEAD DESIGNERMeysam Ghasemi
TEAM MEMBERS: Shirin Amini, Mohammad Hossein Chitsazzadeh, Davoud Abdollahi
PHOTOGRAPHY CREDITS: Shirin Amini
The vacuum cleaner is designed in tune with what users need and experience during different stages of interacting with the product. As a result of its compact design, it makes the vacuum cleaner convenient to use and space-saving. The big wheels with a rubber line around control the movements perfectly. In addition to a good combination with minimalism, body lines follow an aggressive style by sharp and edgy design. Moreover, each line leads the users’ eyes to a specific characteristic of the vacuum cleaner. The line in the middle of the body helps two functional keys to be seen instantly. This easy-to-operate vacuum cleaner features a convenient handle integrated with the entire structure. Thanks to its user-friendly switches, there is no need to bend the body as it’s effortlessly accessible. The suction power control button has created a new user experience through a playful yet mechanical feeling.
توجه داشته باشید زمان رای گیری عمومی برای انتخاب پروژه های راه یافته به مرحله فینال این رقابت بین المللی از تاریخ ۱۸ آگوست سال ۲۰۲۱ میلادی الی ۱۵ سپتامبر سال ۲۰۲۱ میلادی است. براساس اطلاعات منتشر شده در وبسایت جایزه لوپ دیزاین (LOOP Design Awards) اسامی آثار راه یافته به مرحله ی نهایی (فینال) هر بخش در هفته اول ماه سپتامبر سالجاری میلادی اعلام خواهد شد.
حضور نیما کیوانی در میان هیات داوران جایزه بین المللی لوپ دیزاین در سال ۲۰۲۱
لازم به یادآوری است نیما کیوانی ، معمار ایرانی و بنیانگذار استودیوی معماری کیوانی و همکاران به عنوان عضوی از هیات داوران در کنار افرادی چون مانوئل آیرس ماتئوس (Manuel Aires Mateus) معمار پرتغالی، ماساکی اوموری و کوکتو اوموری (Masaaki Uemori and Kokutou Uemori) معماران ژاپنی، استفان آنتونی (Stefan Antoni) معمار آفریقایی، لی شیانگ (Li Xiang) معمار چینی، سزار جیمنز گونزالز (César Jiménez Gonzaléz) معمار اسپانیایی، فوکه مورل (Fokke Moerel) معمار هلندی و همچنین مائوریتزیو میوسی (Maurizio Meossi) معمار انگلیسی در جایزه بین المللی لوپ دیزاین در سال ۲۰۲۱ میلادی (LOOP Design Awards 2021) جضور دارد.
معمار | معمار محتوا